Etelka Lehoczky
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Despite what you may have heard, dead-tree publishing isn't dead. In fact, a host of new print magazines are bringing some wild, weird, innovative words and pictures to the alternative comics scene.
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Through his graphic memoir, the Star Trek actor-turned-author shows that while it may be too late to undo the WWII incarceration of Japanese Americans, it's not too late to learn from it.
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Marjorie Liu and Sana Takeda's epic, gorgeous tale of a young woman with a monster inside her has won countless awards and been heaped with praise — but does it truly break new ground?
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There's little to surprise in this story, especially if you know a bit about the subject's life and his ideas. But author Jim Ottaviani finds a nice balance between the personal and the theoretical.
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Some might say these little works only acquire their auras through their creators' fame. But once you start pondering them, they start to seem like far more than mere artifacts of notable psyches.
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Ezra Claytan Daniels and Ben Passmore's new graphic novel is a comic-horror take on the very real problem of gentrification that follows two young artists moving to a struggling Chicago neighborhood.
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Marcelo D'Salete's powerful graphic novel chronicles the mocambos, communities of runaway slaves that flourished in the jungles of 17th century Brazil, and all the lives they touched, slave and free.
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Even in our current climate, it's sobering to consider how the profession of architecture treated modernist pioneer Eileen Gray. This graphic history is a thought-provoking, if incomplete, reflection.
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Two new books — a reissue of 1971's Yellow Yellow and a compilation of Stamaty's MacDoodle Street newspaper strips — highlight the artist's joyful ability to imagine the world the way kids do.
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Full of playful experiments with composition, and seemingly endless variations on common themes, Andy Warner and Sofie Louise Dam treat self-made "utopias" with unflappable cheer.