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Save Our Stages: The Future Of Live Music And The Performing Arts

Kyle Kidd, Angela Meleca, & Sean Watterson speak to Dan Moulthrop on a virtual City Club forum.
Kyle Kidd, Angela Meleca, & Sean Watterson speak to Dan Moulthrop on a virtual City Club forum.

When the COVID-19 pandemic reached the United States earlier this year, independent music and entertainment venues and theatres were among the first to close to prevent the spread of the disease. They will also likely be the last to re-open as Americans are encouraged to avoid mass gatherings and crowded indoor spaces. A recent National Independent Venue Association (NIVA) poll found that  90 percentof independent venues are expected to close within the next few months if they do not receive federal aid. The shuttering of these establishments would have a ripple effect on local economies.

In response, U.S. Senators Amy Klobuchar (D-MN) and John Cornyn (R-TX) introduced the bipartisan  Save Our Stages Act, which would financially support independent live music venues negatively impacted by the COVID-19 pandemic. The proposed legislation would provide Small Business Administration grants for independent live venue operators, promoters and festivals affected by COVID-19 stay-at-home orders. These grants would provide at least six months of financial support to keep venues afloat, pay employees, and preserve a critical economic sector for communities across the country.

But is it enough? How are independent venues and performers coping? Is it possible to "save our stages" before the curtain closes on them — for good?

Kyle Kidd
Musician and Vocalist, Mourning [A] BLKstar

Angela Meleca
Executive Director, Ohio Citizens for the Arts

Sean Watterson
Co-Owner, The Happy Dog, and Ohio Precinct Captain, National Independent Venue Association

Natalia Garcia is a digital producer for the education team at Ideastream Public Media.