Pianist Glenn Gould rocketed to fame in 1955 with his startling and original take on Bach's Goldberg Variations. Gould's fans were treated to a remake of Goldbergs in 1982, when he released a slower-paced rendition just before his untimely death. But it's that first, rapid fire 1955 recording that continues to captivate audiences.Now there's an expanded version, a hefty box set that illustrates Gould's intense perfectionism. The set includes the original 1955 album – both on vinyl and CD – and the complete recording sessions, with all the outtakes.Tim Page, professor of music and journalism at the University of Southern California, was a friend of Glenn Gould's and has sifted through the new set. He says when Gould released that 1955 recording it was an extraordinary moment."Here was this piece that was considered rather academic and a little fusty, and here came this brilliant, 22-year-old pianist from Canada playing as though he was running with the wind," Page says. "It was so surprising, so dynamic. People had been moving away from playing Bach on the piano and all of a sudden here comes the young Glenn Gould."Gould's 1955 recording has remained in print for 62 years. And though Gould became a creature of the recording studio himself, what would he think of this new set, with its hours of retakes, mistakes and out of tune pianos?Howard Scott thinks he knows the answer. Scott produced those original 1955 Gould sessions, and in the coffee table book included in the set, he has strong language for the record label."If Glenn knew Sony Classical was going to release those outtakes, which he rejected – he did not like what he had done in those performances – he would probably come down and shoot anybody who allowed them to be released," Scott says in an interview. "And I think it's a disgrace if they do release them." But Sony did release them – all five CDs-worth.Page takes an alternative position. Also within the new box set is a radio interview Page did with Gould in 1982, a few months before the release of his second recording of the Goldbergs."He insulted this 1955 performance all through the interview," Page says. "So, I think he would probably just take it easily because nobody could do worse to this recording than Glenn himself did in our interview."Gould told Page that he could no longer recognize "the spirit of the person" who made the 1955 recording. After they listen to variation 25, Page compliments Gould on the playing, but the pianist gets specific with his criticism: